Karim Dridi celebrates marginality in a moving road movie, a tribute to the “invisible.”

The director celebrates individuals often overlooked by society, immersing us in the daily lives of two inseparable friends as they journey in search of entertainment, new faces, and independence. A remarkable work that shines a light on the strength and resilience of often ignored individuals.

Karim Dridi’s latest film, entitled “Freeloaders,” is a cinematic work that oscillates between documentary and fiction. Released in theaters on May 29, this road-trip pays tribute to those who embrace freedom, shedding light on the marginalized with empathy.

The story follows Nina and Djoul, two inseparable friends evicted from their squat in Brittany. Embarking on their old dilapidated truck, they hit the road south. This film highlights the “toothless,” the outcasts, the “dog punks,” the homeless, all those stigmatized as freeloaders.

Karim Dridi admits that this project was difficult to finance because it puts individuals often ignored in the spotlight. Making this film is itself an act of subversion, an artistic gesture of resistance and survival, an affirmation of vital thought.

Immersed for years in this universe, the director has created a work that is both luminous and dark, a road movie featuring two exceptional women who evolve through encounters and confrontations. Powerful, free, and dignified, they fully embrace their way of life.

The film depicts a forgotten France, that of the marginalized who survive by rummaging through trash cans or living in squats. The two friends end up working in the vineyards, and it is there that Nina meets a man, questioning the strength of their friendship.

Actresses Faddo Jullian and .jU., friends in real life, deliver poignant performances, embodying complex and striking characters. Despite their label as freeloaders, Nina and Djoul work hard while refusing to submit to a predetermined fate, preferring to blaze their own trail, even if it entails heavy sacrifices to preserve their freedom.

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“Freeloaders” leans more towards the universe of Ken Loach than the film “Thelma and Louise.” It is an authentic, tender, and violent film at the same time, exploring the themes of friendship, sisterhood, and freedom in a dazzling manner.

Finally, the technical sheet of the film reveals that “Freeloaders” was directed by Karim Dridi, with a screenplay co-written by Emma Soisson. The cast includes Faddo Jullian, .jU., and Odette Simoneau, and the film was released in theaters on May 29. The story follows the adventures of Nina and Djoul, determined to live freely despite the obstacles encountered on their journey.


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